
Decoding Shakespeare: A Practical Guide to Early Modern English Pronunciation

Have you ever wondered what Shakespeare and his contemporaries really sounded like? Modern productions often present the Bard's works in a contemporary accent, but that's a far cry from the Early Modern English pronunciation that would have filled the Globe Theatre. This guide will delve into the fascinating world of Early Modern English, providing a practical, accessible online guide to understanding and even replicating the sounds of Shakespeare's time. Understanding Early Modern English pronunciation unlocks a deeper appreciation for the nuances of the language and the rhythm and rhyme schemes so crucial to Shakespeare's verse.
What is Early Modern English and Why Does Pronunciation Matter?
Early Modern English (EME) refers to the stage of the English language used roughly from the late 15th century to the mid-to-late 17th century. Think Chaucer to Shakespeare to Milton. It follows Middle English and precedes Modern English. While the spelling might look familiar to us, the pronunciation was quite different. These differences aren't just academic trivia; they directly impact our understanding of the poetry and drama of the period. For example, rhymes that seem imperfect to our modern ears were often perfect in EME, and puns relied on sounds that have since shifted. Neglecting Early Modern English pronunciation means missing subtle layers of meaning and artistry.
Key Differences: Vowel Shifts in Early Modern English
One of the most significant features of Early Modern English pronunciation is the Great Vowel Shift, a series of changes that transformed the pronunciation of long vowels. This shift was still underway during the EME period, creating a dynamic and somewhat inconsistent soundscape. Understanding the general direction of these shifts is crucial for accurate pronunciation. Here are a few key examples:
- The Long a: In words like "name" and "face", the long a sound was closer to the modern vowel sound in "father".
- The Long e: The long e sound, as in "see" and "meet", was pronounced more like the vowel sound in modern "say".
- The Long i: The long i sound, as in "time" and "life", was a diphthong that likely began with a sound similar to "uh" or "uh-ee".
- The Long o: The long o sound, as in "go" and "bone", was pronounced more like the vowel sound in modern "oh" (though potentially a bit more closed).
- The Long u: The long u sound, as in "house" and "mouth", was often pronounced as a diphthong closer to "oo-uh".
It is important to note that these are generalizations. Regional variations and social factors also influenced pronunciation. Sources like David Crystal's works on Shakespeare's original pronunciation provide more nuanced insights. Always consult reputable sources when researching Early Modern English pronunciation.
Consonant Variations in Early Modern English
Vowel sounds weren't the only things that differed; consonant pronunciation also varied significantly. Several consonants, now silent or pronounced differently, were still pronounced in Early Modern English:
- The r Sound: The r was often pronounced after vowels, where it is now silent in many accents (like in "car" or "bird"). This rhotic pronunciation is more similar to Scottish or Irish English. This means that rhymes involving words ending in "r" are more apparent when using Early Modern English pronunciation.
- The h Sound: The h was often dropped in words where it is now pronounced, especially at the beginning of words like "herb" or "humble".
- The Gh: In words like "night" or "light", the "gh" was actually pronounced, creating a sound similar to the "ch" in the Scottish word "loch".
These consonant differences might seem minor, but they contributed significantly to the overall sound of the language.
Resources for Learning Early Modern English Pronunciation
Fortunately, numerous resources are available for those keen to explore Early Modern English pronunciation. Here are some starting points:
- David Crystal's Works: Crystal's books, particularly "Shakespeare's Words" and "Pronouncing Shakespeare", are considered the gold standard in the field. They offer detailed explanations, phonetic transcriptions, and practical exercises.
- The Original Pronunciation (OP) Project: This project, led by scholars at Oxford University, aims to reconstruct and promote the original pronunciation of Early Modern English. Their website features audio recordings and educational materials.
- Online Dictionaries: Some online dictionaries, like the Oxford English Dictionary (OED), provide information on historical pronunciations.
- YouTube Tutorials: Many linguists and Shakespeare enthusiasts have created YouTube videos demonstrating Early Modern English pronunciation. Search for terms like "Shakespeare original pronunciation" or "Early Modern English phonology."
Actively engage with these resources. Listen to recordings, practice the sounds, and compare your pronunciation to that of experts.
Practical Tips for Pronouncing Shakespeare
Ready to try your hand at speaking like Shakespeare? Here are some practical tips to get you started:
- Start with the Vowels: Focus on mastering the key vowel shifts described above. Use phonetic transcriptions to guide your pronunciation.
- Pay Attention to Consonants: Remember to pronounce the r after vowels, drop the h in some cases, and pronounce the "gh" in words like "night".
- Listen and Imitate: The best way to learn is to listen to recordings of Early Modern English and try to imitate the sounds. Pay attention to the rhythm and intonation of the language.
- Read Aloud: Practice reading Shakespeare's plays and sonnets aloud, focusing on using Early Modern English pronunciation. Start with short passages and gradually work your way up to longer ones.
- Don't Be Afraid to Experiment: Early Modern English pronunciation was not entirely uniform. There was regional variation, and even within a single region, people likely spoke with different accents. Don't be afraid to experiment and find a pronunciation that feels natural to you.
Common Misconceptions About Early Modern English Pronunciation
Several common misconceptions exist about Early Modern English pronunciation:
- It's Just a Funny Accent: EME pronunciation isn't just a quirky affectation; it's a historically accurate representation of how the language was spoken.
- Everyone Spoke Exactly the Same Way: As mentioned earlier, regional and social variations existed.
- We Know Exactly How Everyone Spoke: While scholars have reconstructed a great deal about EME pronunciation, some uncertainties remain. The reconstructions are based on surviving texts, spellings, and contemporary accounts of speech, but gaps in our knowledge persist.
Avoiding these misconceptions will help you approach the topic with a more informed and nuanced perspective.
The Benefits of Studying Early Modern English Pronunciation
Studying Early Modern English pronunciation offers several benefits:
- Deeper Understanding of Shakespeare: As mentioned, it unlocks a richer understanding of the language and artistry of Shakespeare and his contemporaries.
- Improved Appreciation of English Language History: It provides insights into the evolution of the English language and the forces that have shaped its pronunciation.
- Enhanced Performance of Shakespearean Works: Actors who master EME pronunciation can deliver more authentic and compelling performances.
- A Unique Skill: Knowledge of EME pronunciation sets you apart and demonstrates a deep interest in language and literature.
Bringing Shakespeare to Life: Early Modern English Pronunciation in Performance
Imagine watching a Shakespeare play performed with the actors using Early Modern English pronunciation. The familiar words suddenly sound fresh and new, revealing hidden rhymes and puns, bringing a different rhythm and feel to the language. Several productions have experimented with OP, with varying degrees of success. While it might not be suitable for every audience, incorporating elements of EME pronunciation can undoubtedly enhance the theatrical experience. The key is to strike a balance between historical accuracy and audience accessibility.
Resources Beyond Shakespeare: Applying EME to Other Texts
While Shakespeare is the most famous author of the Early Modern English period, the principles of EME pronunciation can be applied to other texts from the era. Consider exploring the works of Christopher Marlowe, Ben Jonson, John Donne, and the King James Bible. Applying EME pronunciation to these works can similarly illuminate their language and artistry. The principles discussed here provide a framework for understanding the sounds of the era, and with practice, you can begin to decipher the sonic landscape of Early Modern England.
Conclusion: Embarking on Your Early Modern English Pronunciation Journey
Exploring Early Modern English pronunciation is a rewarding journey that can deepen your understanding of language, literature, and history. Armed with the resources and tips provided in this guide, you can begin to unlock the secrets of Shakespeare's time and experience the Bard's works in a whole new light. So, dive in, experiment, and discover the magic of Early Modern English pronunciation. Remember to use this online guide as a reference to come back to as you learn. Happy learning!